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| Great Expectations (A Norton Critical Edition) |  | Authors: Charles Dickens, Edgar Rosenberg
Publisher: W. W. Norton & Company
Category: Book
Buy New: $9.93
as of 5/22/2012 00:11 PDT details
Seller: Queen City Books
Sales Rank: 37,503
Languages: English (Unknown), English (Original Language), English (Published)
Media: Paperback
Edition: 1st
Pages: 748
Number Of Items: 1
Shipping Weight (lbs): 1.5
Dimensions (in): 9 x 5.8 x 0.9
ISBN: 0393960692
EAN: 9780393960693
ASIN: 0393960692
Publication Date: January 17, 1999
Availability: Usually ships in 1-2 business days
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| Editorial Reviews:
Product Description
This Norton Critical Edition, edited by the pioneer of Great Expectations scholarship, presents the most thorough textual edition of the novel (1861) available. The newly established text is based on all extant materials and is accompanied by several textual essays.
"Backgrounds" provides readers with an understanding of Great Expectations's inception and internal chronology. A discussion of the public-reading version of the novel is also included. A wonderfully rich "Contexts" section collects thirteen pieces, centering on the novel’s major themes: the link between author and hero and, relatedly, Victorian notions of gentility, snobbishness, and social mobility; the often brutal training, at home and at school, of children born around 1800; and the central issues of crime and punishment.
"Criticism" gathers twenty-two assessments of Great Expectations, both contemporary and modern, which offer a range of perspectives on Dickens and his novel.
Amazon.com Review
Dickens considered Great Expectations one of his "little pieces," and indeed, it is slim compared to such weighty novels as David Copperfield or Nicholas Nickleby. But what this cautionary tale of a young man raised high above his station by a mysterious benefactor lacks in length, it more than makes up for in its remarkable characters and compelling story. The novel begins with young orphaned Philip Pirrip--Pip--running afoul of an escaped convict in a cemetery. This terrifying personage bullies Pip into stealing food and a file for him, threatening that if he tells a soul "your heart and your liver shall be tore out, roasted and ate." The boy does as he's asked, but the convict is captured anyway, and transported to the penal colonies in Australia. Having started his novel in a cemetery, Dickens then ups the stakes and introduces his hero into the decaying household of Miss Havisham, a wealthy, half-mad woman who was jilted on her wedding day many years before and has never recovered. Pip is brought there to play with Miss Havisham's ward, Estella, a little girl who delights in tormenting Pip about his rough hands and future as a blacksmith's apprentice. I had never thought of being ashamed of my hands before; but I began to consider them a very indifferent pair. Her contempt for me was so strong, that it became infectious, and I caught it. It is an infection that Pip never quite recovers from; as he spends more time with Miss Havisham and the tantalizing Estella, he becomes more and more discontented with his guardian, the kindhearted blacksmith, Joe, and his childhood friend Biddy. When, after several years, Pip becomes the heir of an unknown benefactor, he leaps at the chance to leave his home and friends behind to go to London and become a gentleman. But having expectations, as Pip soon learns, is a two-edged sword, and nothing is as he thought it would be. Like that other "little piece," A Tale of Two Cities, Great Expectations is different from the usual Dickensian fare: the story is dark, almost surreal at times, and you'll find few of the author's patented comic characters and no comic set pieces. And yet this is arguably the most compelling of Dickens's novels for, unlike David Copperfield or Martin Chuzzlewit, the reader can never be sure that things will work out for Pip. Even Dickens apparently had his doubts--he wrote two endings for this novel. --Alix Wilber
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